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by Aaron West
What makes a good designer?
Technical skill is important. Creativity is
essential. A strong knowledge of a few software packages is
a must. But in my opinion the most powerful attribute a designer
can possess is the ability to position their own personality
in a design.
What do I mean by this?
I don't mean that the designer should place
a scanned signature throughout their pages, or a self portrait
in the navigation. The designer shouldn't talk about a favorite
book or musician on a corporate site for a client.
A good designer places their personal, professional
tastes on the design. The best designers will bring a certain
style to a project. This can be anything from a quality color
balance, or a unique layout, to an animation technique. The
designer's best work will come as a result of this style,
and usually the worst will come from trying something foreign.
A great example would be one of the classical
painters. Picasso's work will always be recognized whether
it has a signature or not. Every painting of Dali's was unequivocally
his. The same should hold true of your work.
Temptation
Many clients or project managers will approach
a project with the desired look in mind. Some will try to
provide a grocery list instead of a creative brief before
the project begins. While it is always a good idea to listen
to the client's wishes, it is usually a bad idea to try to
recreate someone else's vision. Since you can't see inside
their head, you can't always see the same picture they see.
More often than not the finished project isn't exactly what
the client had in mind. Then you have to go through a horrendous
cycle of making changes until the design is exactly as the
client pictured. You know as well as I do that this isn't
the way to go.
What if Picasso was commissioned to paint in
the style of a Dali, or a Van Gogh? The end result would probably
look nice. After all, Picasso was a professional. But it would
not be his best work, nor would it compare to a Dali painting.
You are the designer. You are able to charge
the price you do because of your professionalism, because
of your knowledge, and most importantly because of your style.
The client might be creative and might have a brilliant vision,
but the client is not a designer or there would be no need
for you. The client chose you for a reason.
If you are given a grocery list type of project,
I suggest you give them what they want (or say they want)
in the form of a comp, but also give them 2 or more other
choices that showcase the type of work you do. More often
than not, the client will be so impressed by the other choices
that the grocery list is abandoned entirely.
Reality
Of course we can't all turn down projects. Getting
the bread on the table and paying the rent is always the first
priority. You don't want to become a talented, but starving
artist. Sometimes we have to sell out, whether we want
to or not. When presented with this sort of a situation, do
your best to incorporate your own personal style into the
work. If your style is rejected, I implore you to not put
your name on it. If Picasso had to create a Dali, would he
sign it?